
| Pat Dawson
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We got another voice in a fast growing chorus of artists who take a stand of
dissidence. I present to you Pat Dawson! Hi and welcome to the eZine how are
you? I received an email about your song "Chic chic Chicken Hawk" And after
listening to it I just had to contact you! Tell us about the spirit of the song?
As the song tells it, I was drafted in 1968 to help in the U.S. effort to
stop what was essentially a regional civil war. The French pulled out of its
Indochine colony after the debacles of 1954, but we were too arrogant, thinking
our superior technology and sense of anti-communist righteousness would easily
triumph over a people united with indomitable will.
All this geo-political philosophizing aside, the song is simply one American military veteran’s
response to a new war being waged by Bush, Cheney and others who escaped genuine
military service at the time. Bush is one year older than me, and I consider him
a “Chickenhawk,” because he is ignorant of the ultimate price of war, yet wants
others to go and do what he was not brave enough to do in his prime of life.
The timing of the U.S. Congress vote on granting Bush war powers helped
rush this song onto record. Obviously, it did no good, but at least I showed
that we are not all acquiescing in the ill-considered madness.
I wrote the words and music, and played acoustic guitar, Fender bass and
electric lap steel guitar, and sang. I was coming down with a bad cold, and so
it was a real strain, and probably shows it. But I guess it is the message that
is important here. Brad Edwards played drums and was the recording engineer,
using his multi-track digital system at Woods Recording in Montana. Brad is an
excellent jazz drummer, and has played with many greats, including touring last
summer in the West with Mose Allison. After this recording was made, he went to
play with a U.S. combo at the Prague International Jazz Festival in late
October.
You believe there is not much of a Resistance Movement or is it that they are
not given a voice?
What I see is a glaring lack of public discussion or forums for this monumental
move into making big history for Bush. Unlike the Vietnam War era, we don’t see
much media coverage of protest rallies -- but they are out there, and they are
ofetn very big, though you would never know it by checking the U.S. news media
reports. Also, there is a sense among many that any exercise of our
Constitutionally guaranteed criticism of the government is somehow
“unpatriotic,” or even, at the extremes, “treasonous!”
I liken the present Bush Administration to the Vichy government in France from
1940-44. Both invoke nationalistic, “high moral values” in imposing their
legitimacy, and neither were legally, democratically elected. Vichy served the
interests of the Nazis at the expense of France, while Bush serves oil
companies, banks, military manufacturers and other corporations at the great
expense of America. Also, we have multitudes of Americans eager to collaborate
with this unelected government. Unfortunately, we do not seem to have much of a
“Resistance,” yet, nor a deGaulle out there agitating.
Unlike “Chickenhawk Boogie,” my long-term project is not that overtly
political. It is songs about traveling and working and observing life in the
West of the U.S.
The songs are about winos, cowboys, cowgirls, Indian bars,
Nevada gambling, a little enviromental degradation, oppression in Texas, etc.
They are all different, though many have somewhat of a bluesy feel to them. I
strive for good tone in the voice of my instruments.
I love the creative process of recording, and learn more each time I go into the studio. I feel very good
about the project, and perceive it as something with a traditional feel in
places, yet unique in the world of formulated Nashville schlock. I guess it is
truly “Americana” music.
One philosophy of mine is: The words may portray some
of the rough parts of life. That’s Realism, Verite -- we cannot change human
behaviour, just report it. But the music itself can be a thing of beauty, and
should be. For me, the combination of Realism, humour, soul and dynamic music is
what makes it. As Charlie “Byrd” Parker put it long ago, “Now’s the time!”
Do you have a certain "Ritual" or "special place" to recharge your energies?
I live here in Montana, but much of my life has been spent absorbing the
West, from Mexico to Alberta and B.C., from the Indian reservations and
oilfields of the prairie to scenes on the Coast. Always moving, down the
highway, where I felt a great sense of freedom. But I also value more quiet time
spent in the mountains, wilderness, the rougher the better. The Road is great
for observations; the mountain trail is great for putting it all into
perspective.
I would like to thank you for talking with us Any special words in parting?
It was my honor and pleasure, Claude. I will notify you as soon as the CD is
finished. The tracks are nearly finished. It will have at least 12 songs,
probably more. And then on to the next one. At my age (55), you have to use your
time to the fullest. Had I been this productive when I was younger, I might not
be alive today. So I am trying to do it right, and concentrate on the art -- to
hell with the vanity and the market!
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